ARTICLE

Emily Ratajkowski lists off ‘disturbed’ men she has dated in New York post-divorce

SUMMARY

In a personal essay for The Cut, Emily Ratajkowski discusses her experiences with casual relationships following her divorce from Sebastian Bear-McClard, reflecting on motherhood, autonomy, and personal growth.

The summary is AI-generated to reduce bias

New York Post
New York Post
55
AI Rating
United States
United States
Pub
Analysis
ANALYSIS IN BRIEF

Headline & Lead

55

The headline sensationalizes the content by using 'disturbed men' as a central theme, while the body presents a reflective personal essay with nuance. The lead aligns somewhat with the article’s content but amplifies the shock value.

Loaded language Hidden actors Argument tricks Emotional pressure Incomplete picture Weak sourcing expand

Appeal to Emotion [7/10]: ¶1 · The term 'disturbed' in the headline sets an emotionally charged tone that frames the men negatively before any context is given.

"‘disturbed’ men"

Loaded Labels [6/10]: ¶1 · 'Disturbed' is a loaded label applied broadly to a group without clinical or evidentiary support, shaping reader perception negatively.

"‘disturbed’ men"

Language & Tone

45

The tone is subjective and often mocking or sensational, especially in describing Ratajkowski’s partners, undermining journalistic neutrality.

Loaded language Hidden actors Argument tricks Emotional pressure Incomplete picture Weak sourcing expand

Appeal to Emotion [7/10]: ¶1 · The term 'disturbed' in the headline sets an emotionally charged tone that frames the men negatively before any context is given.

"‘disturbed’ men"

Loaded Labels [6/10]: ¶1 · 'Disturbed' is a loaded label applied broadly to a group without clinical or evidentiary support, shaping reader perception negatively.

"‘disturbed’ men"

Sensationalism [6/10]: ¶2 · The phrasing is designed to provoke shock or titillation, appealing to reader curiosity through sexual candor.

"decided to f–k my way into a new kind of woman"

Loaded Labels [8/10]: ¶3 · The phrase uses hyperbolic, emotionally charged language to generalize an entire demographic, promoting a negative stereotype.

"men raised in New York are uniquely disturbed characters from man hell"

Loaded Labels [5/10]: ¶4 · The label is whimsically judgmental, framing the individual through a caricature rather than neutral description.

"Vegan Graffiti Artist with impeccable posture"

Loaded Labels [7/10]: ¶4 · Presents a potentially sensitive health concern in a mocking tone, inviting ridicule.

"Chef who thought he might have chlamydia"

Loaded Labels [6/10]: ¶4 · Uses a reductive, slightly pejorative label that emphasizes behavior in a way that invites judgment.

"Spanish Gen-Zer who couldn’t stop sending me nudes"

Loaded Labels [9/10]: ¶4 · Combines class judgment, medical assumption, and political disdain in a single loaded epithet.

"heavily self-medicated Son of a Billionaire with questionable politics"

Loaded Labels [5/10]: ¶4 · Repetition of 'DJ' after prior mention carries ironic disdain, implying a pattern of low-quality partners.

"another DJ"

Loaded Labels [6/10]: ¶5 · A sarcastic, generational label used to mock rather than describe, contributing to a tone of ridicule.

"Elder Millennial"

Appeal to Emotion [6/10]: ¶5 · The list is framed to sound absurd or excessive, aiming to provoke amusement or judgment.

"obsessed with dental hygiene, psychedelics, and dirty talk"

Appeal to Emotion [6/10]: ¶7 · Framed to evoke psychological intrigue and emotional drama, appealing to reader fascination with romantic power dynamics.

"the more Ratajkowski pushed men away, the more they needed her"

Appeal to Emotion [6/10]: ¶8 · The reference to 'doing it for the plot' introduces a narrative of performative dating, inviting readers to view her actions as dramatic or ironic rather than personal.

"I’d seen a tweet about ‘doing it for the plot’ that I’d begun to repeat a bit too often"

Sensationalism [6/10]: ¶9 · Sexual candidness is used to maintain reader engagement through intimate revelation rather than analytical insight.

"wasn’t getting off on the sex"

Sympathy Appeal [6/10]: ¶12 · Emphasizes emotional hardship to elicit sympathy and elevate the personal decision to a dramatic arc.

"leaving” her marriage was “a hard choice that came with a lot of pain and at a great cost"

Appeal to Emotion [7/10]: ¶13 · Repetition and emphasis on bravery aim to inspire admiration and emotional resonance, framing the narrative as a heroic self-reinvention.

"I wasn’t left; I left... I was brave. Really, actually brave"

Loaded Labels [8/10]: ¶14 · Quotes a source using emotionally charged, dehumanizing language without challenging or contextualizing it.

"He’s a serial cheater... It’s gross. He’s a dog."

Source Balance

50

Relies primarily on a single first-person source (Ratajkowski) and anonymous third-party claims about Bear-McClard’s infidelity and misconduct, with no counterpoints or verification from involved parties.

Loaded language Hidden actors Argument tricks Emotional pressure Incomplete picture Weak sourcing expand

Vague Attribution [9/10]: ¶14 · Relies on an anonymous source to make a serious allegation about infidelity, with no identifying details or corroboration.

"an insider claimed"

Vague Attribution [8/10]: ¶15 · Reports serious allegations without detailing the evidence or giving Bear-McClard a chance to respond, relying solely on the exposé’s claims.

"Bear-McClard was accused of sexual misconduct and inappropriate behavior with teenage girls in a Variety exposé"

Story Angle

50

The article adopts a tabloid-style narrative focused on celebrity drama and sensational personal revelations, emphasizing shock value over deeper exploration of post-divorce identity or relationships.

Loaded language Hidden actors Argument tricks Emotional pressure Incomplete picture Weak sourcing expand

Completeness

60

The article provides personal context from Ratajkowski’s essay, including her emotional journey and parenting responsibilities, but omits broader social or psychological context about post-divorce behavior or dating culture in New York.

Loaded language Hidden actors Argument tricks Emotional pressure Incomplete picture Weak sourcing expand

Vague Attribution [9/10]: ¶14 · Relies on an anonymous source to make a serious allegation about infidelity, with no identifying details or corroboration.

"an insider claimed"

Vague Attribution [8/10]: ¶15 · Reports serious allegations without detailing the evidence or giving Bear-McClard a chance to respond, relying solely on the exposé’s claims.

"Bear-McClard was accused of sexual misconduct and inappropriate behavior with teenage girls in a Variety exposé"

Missing Historical Context [7/10]: ¶15 · Fails to explore or present any defense or context for the allegations, leaving readers with an unbalanced view.

"The producer did not address the allegations."

AGENDA SIGNALS
-8
culture

Celebrity

Frames celebrity culture as shallow and driven by sensational personal disclosures

expand

The article emphasizes the salacious and eccentric details of Ratajkowski’s dating life, using mocking descriptors and focusing on shock value, reinforcing a tabloid framing of celebrity as spectacle.

"There was Vegan Graffiti Artist with impeccable posture,” Ratajkowski continued. “Chef who thought he might have chlamydia, Spanish Gen-Zer who couldn’t stop sending me nudes, heavily self-medicated Son of a Billionaire with questionable politics"

+7
society

Single Mothers

Portrays single motherhood as empowering and a source of personal strength

expand

The article highlights Ratajkowski’s narrative of self-empowerment after divorce, framing her journey as one of bravery and autonomy, particularly in contrast to her previous marital constraints.

"I wasn’t left; I left. I knew then that being able to leave, to say ‘no,’ was the only real superpower I’d gained through divorce. I was brave. Really, actually brave"

Target group: Women
-7
society

Dating Culture

Portrays New York dating culture, especially among men, as dysfunctional and disturbing

expand

The article amplifies Ratajkowski’s sweeping generalization about 'men raised in New York' being 'uniquely disturbed', using selective, bizarre anecdotes to reinforce a negative stereotype.

"men raised in New York are uniquely disturbed characters from man hell"

Target group: Men
+6
identity

Women

Frames women’s post-divorce sexual exploration as a form of liberation

expand

The article presents Ratajkowski’s 'hookup mania' as a deliberate act of self-reinvention and feminist assertion, using her own language about becoming a 'new kind of woman'.

"I decided to f–k my way into a new kind of woman"

Target group: Women

The article reports on Emily Ratajkowski’s personal essay about her dating life after divorce, emphasizing sensational elements. It relies heavily on subjective narrative and unverified claims about her ex-husband. The framing leans toward tabloid-style storytelling rather than balanced, contextual journalism.

ARTICLE AI ANALYSIS
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The Guardian The Guardian
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Reuters Reuters
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The New York Times The New York Times
64
TheJournal.ie TheJournal.ie
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Stuff.co.nz Stuff.co.nz
63
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62
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55
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52
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49
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46
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41
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40

Average for all sources over the last 60 days for 'CULTURE — OTHER'.

55
This article
45.9
New York Post avg
49.8
All sources avg
25th
Source rank of 27